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In a world that’s increasingly polished and perfected, I find comfort in making things that embrace their flaws. Each piece becomes a record of a moment. imperfect, honest, and grounded, something that exists not to be flawless, but to be felt.
I believe my love for pottery comes from its imperfections,
the same attraction I have to trees. It’s the patterns, the irregularity, and the fluidity of nature that draw me in. To me, pottery is a form of storytelling, something you experience visually, but
also physically, feeling
the textures of each
piece in your hands.
That connection is what keeps pulling me back to clay. Every piece carries its own quiet history, shaped by pressure, movement, and time. No two forms ever turn out the same, and that unpredictability is what makes the process feel alive. Much like the landscapes I photograph, pottery holds traces of its journey. the push of a thumb, the drag of a tool, the way the glaze settles where it chooses to rest.
Using mostly naturally
sourced clay, I aim to create pieces that foster a deep connection to the
landscapes from which the materials are gathered. Each item carries the essence of its origin, allowing the raw textures and tones of the earth to shape the final form.
housewares.
seshwares.
sculptures.
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